(Morrison, as it happens, also recently shotīlack Panther, so Sunday night notwithstanding, she's doing fine.)īut for the most part, it turned out to be a predictable evening, with nothing that qualified as much of a surprise. For instance, the Academy had the chance to give a woman the award for best cinematography for the first time ever - Rachel Morrison for Lady Bird)? Opportunities for firsts were there, as they often are. Would this be a chance to reward fresh voices like Jordan Peele ( A year in which one of the best supporting actor nominees (Christopher Plummer inĪll the Money in the World) stepped in to take over and reshoot scenes after the original actor (Kevin Spacey) was accused of sexual misconduct and pulled from the film - not figuratively, but actually, shot by shot. A year in which the Academy expelled Harvey Weinstein, one of its most powerful mega-producers. So it was hard not to wonder on Sunday night what the Oscars would look like a year later - especially given that these were the awards for the year in which a very unconventional president took office. La La Land) and then the embarrassed producers took it back and gave it to the film that actually won ( The biggest Oscars screw-up of all time, in which Faye Dunaway and Warren Beatty announced the wrong best picture winner ( It only stands to reason that the most surprising Oscars might be followed by the least surprising Oscars.
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